Tuesday, July 14, 2009

MOVIE SIGNATURE TUTORIAL: Put .mov Files On Your Signature

Movie Sig Tutorial

What you need: MOV file, ImageReady and Photoshop.





Heres the tutorial proper:

1. First you need to get a .mov file (only a quicktime .mov file will do), of anything you want to put into your sig.. If you choose a movie with a different format other than .mov extension then you have to convert it to .mov before you can use it in your sig.

2. Open Photoshop then jump to Image Ready (I’m working with Photoshop and Image ready 7.0 )

3. Once you are in ImageReady go to File > open, open your .mov (quicktime movie) file, you should have a screen like this:



4. Then select whether you want the whole movie or just part of the movie. If the part that you choose is large click "Selected Range Only" and "Limit to Every" and then select 2nd, 3rd or 4th" frame. Use your own judgement in choosing the number of frames you want to limit. I usually don't go pass 4 but you can use any number you like within reason.

5. Now on the bottom of the window there is a bar, move the bar to where you want your movie to start, then hold shift and move it again to where you want it to end. This is what I have so far:



NOTE: The length of your movie will vary tremendously. There are times when I start my movie file in the middle of the trailor and hardly move the slider at all. It all depends on the length of the original movie trailor. Some movies are 12mb, some are just 2mb, again it all depends on how large of file you want your .mov to be. DON’T FORGET IF YOU USE A LARGE .MOV FILE EDIT YOUR FRAMES.

6. That wasn't so hard was it? O.K. now the next step is to change the delay in the frames. That is done in the animation window. Ok, u have the movie in imageready in frames, you can see there is a delay we have to change that by > follow the directions below:



7. Yes, I have 118 frames . Now you have to resize your image. We do this by going to image > image size. I used these settings but you can use whatever settings you want depending on how big you want your movie to be.



8. Once you resize your image (.mov) you now have to go to photoshop. We do this by going to file>jump to>adobe photoshop 7.0 or by:



9. Now that you're in Photoshop go to image > canvas size and I used these settings but you can use any size you what your sig to be (This may take a while depending on what kind of PC you have) I have no problem



This is what I have so far in Photoshop:



10. This part is very important, make sure that you lock all the layers together on the layer palette. YOU HAVE TO LOCK THE LAYERS TOGETHER like this:



11. Now that ALL the LAYERS are LOCKED TOGETHER, you can move the movie around anywhere you like, make a new layer (make sure the new layer is under all the other layers) and start making your sig, like this:



12. After you finish making your sig make sure that all of the new layers that you created to make your sig have an eye next to them.



Also (very important) make sure that you lock all of the movie layers before you move on to the next step. Now we are ready to move it all back to ImageReady (shift+ctrl+m) or click here:



13. Once everything is in ImageReady go to File > Save Optimized as (ctrl+shift+alt+s ):



14. That's it your finished! Hopefully you had fun making your sig.

GRAPHIC DESIGN TIPS

Setting up your canvas


Plan and Play small scale

Don't jump straight in at the deep end with a huge resolution canvas image. While your playing with ideas just stick to a standard screen resolution. Vector programs such as Illustrator or Flash are great for playing as if you end up creating something amaizing you can easily enlarge it when you are ready. You could also try the old pen and paper, not much in the way of fancy effects but good for layout ideas.

High Resolution Source Images

Before you start any print based design project for a client, make sure you inform them that any images they wish to include in the design must be large enough for print and that horrible little stamp sizes email attachments just woun't cut it.



If worse comes to worse and they have asked you to add a manufacturer or sponsors logo for example, try Google Image Search and see what you can find.

Choosing a colour mode

Be sure that the first thing you do when designing is to set the correct colour mode! Design for screen such as websites and video should be set to (RGB or Bitmap). For print based media use (CMYK), this is due to the screens ability to use higher contrast levels than printers, therefore colour seen on a computer screen is often different from the colour of the same object on printed media.

Guides can be helpful

When designing for print using guides and rulers are essential for complex designs such as box or package layouts, and they help you to plan precisely. Be sure to set these up straight after you have sorted out your document size, resolution and colour mode. Because there’s nothing worse than screwing up the fold lines on print day ouch! In Adobe Photoshop you can find these under the "View" menu

Colour moods

Remember when planning your colour schemes that particular colours can bring out certain moods and can often give meanings to your artwork you would never expect.



Here's an amazing web site that shows just how colours can be subconsciously associated with many different things. www.mariaclaudiacortes.com

Fonts help evolution

If you don’t add new fonts to your collection regularly you might run the risk of getting stuck using only your favourites. Therefore your design style may never evolve. A good font can often make any design great and changing a font will often change the whole appearance and style of any project. Here’s a great collection of freely available fonts from my collection to give you a little push towards evolution! (Font Selection )

Stuck for inspiration? Try abstract

When stuck for inspiration I will often end up playing around with various shapes and images with an (ordered chaos) type behaviour. 9 times out of 10 through this kind of playing, I will come up with a great idea depending on how some random images or effects came together.

Choosing a resolution

Another essential part of any pre-production is to also take into account the HUGE importance of setting the right resolution. For screen resolution particularly website design use 72 dpi as this will ensure your font sizes match those used on websites.



For print based media the standard set by most print companies is 300 dpi. The only real need to go above this resolution is for very detailed media that may contain extremely small text (a bit like the small print on an insurance contract ha ha)



Design Tips and Tricks


Save, Copy & Backup

We have all probably had that horrible feeling when a program crashes and then you realise you didn't save, the only advice I can give especially when working on huge multi layered design projects is to not only save regularly but to go that little bit further. Save a new fresh file-named copy of your project every hour, why you ask? Well I've had a few times where my software crashed unexpectedly and ended up corrupting the file itself making it totally useless.

Choose colours wisely

When thinking about colour schemes for your designs be sure not to include too many different colours, especially if you are trying to put across some form of brand image or style. Play with different shades of one colour or choose two colours that are closely related as this will help all elements of a design relate to each other and be recognisable for that particular brand or identity. Here's a great tool that generates shades of a chosen colour.

Know when to stop

It's quite hard to know when to stop especially when you're on what I like to call (a natural high) due to the fact that your ideas have come together so well that your design looks better with every click. This feeling will often make you keep thinking that if you just add one more bit here and there it will be even better, but take care you don't over do it and create an over busy, over layered monster.

Try Home Made Vector

Anyone can make great vector artwork even if you are totally useless when it comes to drawing. Just gather some photographs that relate to your project. Then use a vector illustration program such as Illustrator or my favourite Flash. All you then need to do is draw around the main features, then fill them with closely related colours that link each of the sections e.g. white for skin grey for shadows. You'll be surprised at how easily it is to give plain images you're own style with this technique.

Adobe Flash Drawing Tools

You may not have thought about this but the vector based drawing tools in Adobe Flash are some of the best I've ever used, this along with the fact that you can select and edit any part of a finished shape over different layers makes this a great wildcard for things like logo design. You can also export artwork to other formats such as Adobe Illustrator when your done.

Use Lorem Ipsum

The single greatest breakthrough in the layout and typesetting industry, Lorem Ipsum is derived from ancient Latin and has been used as standard dummy text ever since the 1500's. Why? Well using repetitive words like "text here text here" in areas of your layout often stick out like a sore thumb. Lorem Ipsum however with its more-or-less normal distribution of letters gives a good natural flow to the text, making it seem like readable English as the eye passes over.

Text for web in Photoshop

A problem encountered when I was new to layout design, was to mimic the un-smoothed standard text shown websites in Photoshop. To achieve this you will need to first select the font tool, then look for the Anti-Aliased (aa) icon setting and set this to "None". There you have it instant web style text that will look the same in a browser, (be sure to also read the section on resolutions for a perfect font match).

Check out Blending Options

Adobe Photoshop's blending options can be found in the layers panel. They are great for adding important final touches to various design elements, and with some of the right techniques can help turn dull lifeless text or images into some real works of art. See our Jazz up text with Gradient Overlay tutorial, for some examples of this great Photoshop feature.

Gradients Are Great

Gradients are very popular these days especially with all this web 2.0 talk. They are the secret behind all those shiny buttons and menus and can really bring a design to life when done right. To see some of a various techniques and effects possible with gradients, see our article Becoming a Gradient Junkie.

Avoid Tacky Effects

Spend time gently tweaking various effects and blending options, don't just chuck on a default bevel or high contrast drop shadow as they can look seriously unprofessional)

Thursday, July 9, 2009

HOW TO INSTALL PATTERNS IN ADOBE PHOTOSHOP CS3

You've downloaded new pattern and you want to load it to yous Adobe Photoshop, read this tutorial....

read more...

HOW TO INSTALL BRUSHES IN ADOBE PHOTOSHOP CS3

If you've downloaded the .abr file and don't know what to do next, read this tutorial.

  1. Put the .abr file you've downloaded into the folder /Users/{username}/Library/Application Support/Adobe/Adobe Photoshop CS3/Presets/Brushes (on mac OS X) or C:\Program Files\Adobe\Photoshop\Presets\Brushes (on Windows) .
  2. Then open your Adobe Photoshop, active brush tool, go to option palette and click on to open the brush preset picker.
Then click on little triangel in the right upper corner.

Next on the list you choose 'Load Brushes'

In the dialog box choose the .abr file you want to load and your new brushes appear in the Brush palette and are just ready to use.

HOW CREATE PHOTOSHOP BRUSHES

Two basic general features that characterize brushes set limits on what can be successfully turned into a brush. And what can be a brush is almost anything.

  • First is color. Photoshop uses gray scale info while defining brushes. You can make a brush out of a colorful image but converting your document to Grayscale will give you a better idea of what you are doing. Anything that is white becomes transparent (0% opacity), anything black becomes 100% opaque and any other color turns translucent (opacity somewhere between 0 and 100%).
  • Second limitation is size: there is a maximum brush size possible. From Photoshop 7.0 on it's 2500 px x 2500 px (and 999 px for earlier versions). The larger the brush is created the better, so we strongly encourage you to create large brushes (ideally about 2500 px x 2500 px). The reason is you can’t increase the diameter of your brush beyond its original size without blurring.

There are plenty of ways to create a brush. You may start from a scanned image, a vector graphics,
a raster graphics or a photo.

We will guide you through a process of creating a sample brush in Adobe Photoshop CS4 from
a scanned ink stroke.

Step 1

Create a black ink stroke on a white paper and scan it. The optimum scan settings will vary depending on your scanner quality. Here, we set the resolution to 200 dpi.

Step 2

Open your scan file in Photoshop and change the color mode to 8-bit Grayscale (Image > Mode).

Step 3

You need some time to clean the image. With your bare eye it may look ok but it’s important to always make sure that there are no artifacts. Great tools to do that are (alternatively) levels and threshold. Open the Image > Adjustments > Levels panel and drag the left slider in the Input Level panel right to the end

or open the Image > Adjustments > Threshold panel and drag the slider right to the end

It may happen that the background turns grey (after levels adjustment)


or totally black (after threshold). That means the white background is not truly white. Note, in this step always choose ‘Cancel’ - we only want to identify possible artifacts.

Step 4 (Fixing the background - if necessary)

We will use Levels.

Drag the right slider in the Input Levels panel slightly left. That turns the brightest pixels white. To check if the right slider is moved enough, drag the l

eft slider right to meet the right one. If the background stays white, the right slider position is ok. Bring the left one back to its origin.

Step 5 (Further cleaning - if necessary)

Once the background is fixed repeat Step 3. Now you

can easily see plenty of very tiny ink stains all around our stroke. Some of them may add some character to you brush, but we want to get rid of the majority of them.


There is a trick how to do that effectively and easily. Create a white background layer. Duplicate your stroke layer and turn its visibility off. Apply levels

or threshold adjustment as you did before to the stroke copy layer but this time hit the OK button. Now, create a mask and start to paint over all unwanted stains with a black brush.

Once all of the stains are masked, drag the mask to the stroke layer, turn it on and delete the copy.

Step 6

Your stroke is now clean, you can adjust it a bit, again using Image > Adjustments > Levels (or Brightness/Contrast, Exposure, Curves, Threshold). Hit OK once you get an appearance you are satisfied with

Step 7

Now, with a stroke ready to be turned into a brush

go to Edit > Create Brush Preset. Choose a name for your brush and hit OK.



A new brush is created. You did not have to select your image since Photoshop recognizes all pixels that are not white and include them into a new brush area. However, if you select a portion of your image, only the selection will be turned into a brush.

Test your brush and enjoy!

What next? If you want to export your brushes (eg. send them to myPhotoshopBrushes.com) go to Edit > Preset Manager, choose Brushes as the Preset Type and select all your new brushes holding the Shift key. Pressing the Save Set button saves the whole pack as an .abr file.

Tuesday, July 7, 2009

VISIONS - THE PHOTOGRAPHY NETWORK


Find more videos like this on The Photography Network - PictureSocial

WEDDING PHOTO ALBUM TEMPLATES IN PHOTOSHOP